Search This Blog

Wednesday, February 07, 2007

Documentary Poetry

I have been looking for a while for a term that describes the kind of poetry I do .. whereby I combine subjective writing with sounds gathered from the real world. The term I came up with was "documentary poetry" ... and to see if anybody else thought of this genre, I turned to my good friend Google.

I was really excited to find out that it is a term used (and perhaps invented) by Canadian poet Dorothy Livesay. I'm glad to see my work fits into some kind of historical context, and I am also really happy that a poet who I admire and respect and I have something in common. I think we have a lot in common, actually, since she writes from her roots as an activist.

This from the Athabasca University website:

"She offered a theory that Canadian literature favoured a mode she called “documentary poetry,” long narrative poems that comment on particular social topics and that “are a conscious attempt to create a dialectic between the objective facts and the subjective feelings of the poet” (“The Documentary Poem: A Canadian Genre,” 267). Call My People Home (1950)--about the mistreatment of Japanese Canadians during the Second World War--and The Documentaries (1968) are examples of her own work in this genre. In the same vein, Right Hand Left Hand (1977), her remarkable autobiography about her life of activism in the 1930s, combines retrospective commentary with period photographs, newspaper articles, poetry, drama, and unedited letters that emphasizes the integration of the individual history with social history. She also believed in the close affinity between poetry and music. ( Vivian Zenari )

No comments: