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Friday, November 09, 2007

Writing about Africa


Animals can always be counted on for a good story

I am listening to a sad and funny (dark funny) interview on The Current. Today it's being hosted by Stephanie Nolan, the Globe and Mail reporter based in Africa. She just released a book called "28 Days", about her experience of AIDS.

Her guest was Binyavanga Wainaina, a Kenyan writer now living in Texas. The subject of the interview is "how to do really bad journalism about Africa".

His first tips -- write about poor people. Better still, write about animals. "an elephant provides a really well rounded story line". And "lions have good family values. See how they take care of their children"

I need to listen now to hear what I'm doing wrong ...

* when you need a dark story about human tragedy, look to Africa. Lots to be had.
* saying "I went to Africa ... I care about Africa" -- who cares? Lots of people come to Africa. Big deal.
* many non-functional people end up in Africa because they want to make themselves feel like they're compassionate people
* even literature in Africa was donor-funded literature for a long time ... want to get a grant to write a book? ... apply to western donors for a grant to write a book about AIDS eg. papa, papa, can you tell me about how my aunt tragically got AIDS and how I can make sure I don't?
* interest in Africa isn't always interest in Africa .. it's about interest in markets
* Africa is very fashionable right now, but that doesn't mean that being "fashionable" will translate into economic benefits for African people
* ignore stories like the economy is doing better, there are free elections, tourism is up
* ignore people who are making a positive change and only write about those who are desperate and dying countries

A couple of other points, not necessarily related to Africa:

* being an African living in Texas isn't so bad .. except for the scary insects like tarantulas and obnoxious animals like skunks
* he is commissioning three plays about perceptions of Africa which will be staged in Toronto in 2010 -- but he isn't going to work with the standard theme of "good, good Africa, bad, bad West"
* to be a writer means to be independent. He was nominated for the World Economic Forum's "Young Global Leader" award and he declined because he thought his credibility as a writer will be diminished. His reason, in a letter to

He subsequently declined the award. In his own words:

"I assume that most, like me, are tempted to go anyway because we will get to be ‘validated’ and glow with the kind of self-congratulation that can only be bestowed by very globally visible and significant people,” he wrote. “And we are also tempted to go and talk to spectacularly bright and accomplished people – our “peers.” We will achieve Global Institutional Credibility for our work, as we have been anointed by an institution that many countries and presidents bow down to.

“The problem here is that I am a writer. And although, like many, I go to sleep at night fantasizing about fame, fortune and credibility, the thing that is most valuable in my trade is to try, all the time, to keep myself loose, independent and creative…it would be an act of great fraudulence for me to accept the trite idea that I am “going to significantly impact world affairs." (quote from Wikipedia)

You can read an entire article "How to Write About Africa" here. It's brilliant.

So how many of his points I am I guilty of? Probably all of them to some degree. But I try hard not to. And I tend to spell African names wrong. But I doublecheck.

A couple of excerpts from Binyavanga Wainaina's web story: (because it's too good not to quote:

"Africa is big: fifty-four countries, 900 million people who are too busy starving and dying and warring and emigrating to read your book. The continent is full of deserts, jungles, highlands, savannahs and many other things, but your reader doesn't care about all that, so keep your descriptions romantic and evocative and unparticular."

And my favourite:

"If you are a man, thrust yourself into her warm virgin forests. If you are a woman, treat Africa as a man who wears a bush jacket and disappears off into the sunset. Africa is to be pitied, worshipped or dominated. Whichever angle you take, be sure to leave the strong impression that without your intervention and your important book, Africa is doomed."

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